By Mark Conroy
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13 May, 2020
Think about all the things that form our opinions we get information in so many ways from the tv shows that we watch, the things that we read, our educations, our families, the country that we live, the churches we learn from and all this information is how we form our worldviews the things that make us do what we do. This is not only true for us but the people who came before even those people first called Isrealites. Imagine what it was like for them, once they were the people of God chosen by him to do his work here in this world but over the course of the last 400-450 years they have been slaves in a foriegn land learning about there culture and thoughts. Thier own lives judged upon the number of bricks they produced each day... This is how we find them as they begin the journey in the desert the stories thet had heard during that time was nothing like they knew prior to slavery the grand stories of Arbraham, Isaac and Jacob and the incedible God they had a relationship with had been replaced or at the very least confused with the Mesopotainan and Babylonian storeis the Egyptians tolds. In our to better understand those naratives I am going to share three stoires that would have been prevelent in the time for them. The Gilgamesh Epic The Gilgamesh Epic is one of the best known of the ancient Mesopotamian sources, known by everyone from schoolboys to kings. Gilgamesh was the king of Uruk (biblical Erech)—or was he? King Arthur, c. AD 500, and Robin Hood, c. AD 1100, may well have been historical individuals—around whom was wrapped the stuff of legend. Gilgamesh was supposedly two parts god, one part man. Yet he probably was an actual king (2800–2500 BC), even though copious legendary material has been rolled into the epic version of his life. After the king seizes his subjects’ sons for his army and lies with their virgin daughters in the practice of first night, they complain to the gods. The gods create Enkidu to confront Gilgamesh—in effect, Enkidu is a second Gilgamesh. He is a primitive man with shaggy hair, who drinks from the forest pools and is a friend of the animals—because he is an animal. Enkidu becomes “civilized” by having sex with a prostitute. He confronts Gilgamesh in Uruk; they grapple with each other, but Gilgamesh prevails—and they end up becoming close comrades. Soon the friends set out to locate and destroy the monster Humbaba—and succeed. Later, the goddess Ishtar (an insatiable sexual predator) makes an advance toward Gilgamesh, but he rebuffs her. In return, she sends the Bull of Heaven to kill Gilgamesh and Enkidu, but instead they kill the bull. One day Enkidu dies. “Six days and seven nights I mourned, until a worm crawled out of his nose.” Shamash, sun god and deity of retributive justice, says in effect, “You’re mortal. Get over it!” Deeply affected, Gilgamesh sets out to find wisdom and the secret of everlasting life. After all, the pleasures of life and glories of being a hero figure all end in darkness—in meaninglessness. The Mesopotamian underworld is a dreary place. Gilgamesh then sets out on a quest to find Utnapishtim, the only man to have received immortality from the gods. (Utnapishtim’s wife had also received this gift.) Gilgamesh is taken aback that Utnapishtim isn’t a hero like himself. Utnapishtim reveals a secret: a plant at the bottom of the abyss, that confers eternal life. Utnapishtim is also the Noah of the Mesopotamian flood story, having survived the deluge. He tells Gilgamesh of his survival on a large boat, along with his family and pairs of animals. The flood is not sent to provide the human race with a new beginning (as in Genesis). It was decreed by the chief gods in council: Anu, god of the firmament; Enlil, god of earth, wind, and air; Ennugi, the god of irrigation; Ninurta, god of war and wells; and Ea, the god of wisdom and crafts. Enlil orders a flood to destroy humankind, but Ea finds a way to tip off Utnapishtim by warning his house about the flood—in which Utnapishtim happens to be at the time. Let us return to the quest for immortality. Gilgamesh ties heavy stones to his feet and plunges into the bottom of the abyss. He finds the plant of which Utnapishtim spoke and retrieves it. Later, however, while he is napping, a snake steals the plant. Gilgamesh, now knowing that eternal life is no longer accessible to him, returns to Uruk. The epic concludes with Gilgamesh marveling at the city of Uruk, realizing that the only “afterlife” will consist of his reputation—his royal honor and legacy. After much weeping and further reflection, Gilgamesh makes peace with his status as a mortal, continues his reign, and makes the most of life. Yet the overall tone of this epic is pessimistic. In contrast, Genesis neither downplays human sinfulness nor offers saccharine solutions to existential problems. Rather, it emphasizes personal accountability and consequences (as opposed to life being dictated by the whims of the gods), seasoned with divine grace. The Atrahasis Epic An early Sumerian-Babylonian creation and flood story. The junior-level gods rebel after becoming frustrated with the work of digging canals, and a war between the gods ensues. Now the gods are no longer willing to carry out their backbreaking work. What to do? The problem is solved by the creation of humans. Seven original males and females are made from dust combined with the blood of a sacrificed god. The humans’ purpose? To take over the menial labors of the gods so that they may no longer be fatigued, but content. The story then moves on to the major characters: Anu, god of heaven; Enlil, god of earth; Enki, god of the underworld; and Atrahasis, a human king. Enlil, whose sleep has been disturbed by the noisy humans, seeks to drown them by means of a flood. Meanwhile, Enki (Ea of the Gilgamesh Epic) warns Atrahasis to build a boat in order to survive the calamity—not directly, but by allowing Atrahasis to overhear the news. It seems the cataclysm was a river flood . Atrahasis plays the same role as Utnapishtim, except that Atrahasis and his wife are already immortal. Of the three ancient accounts (in their various iterations through the centuries), the Atrahasis Epic has the most points of contact with the Bible (Gen 2–8). Enuma Elish The Babylonian creation myth Enuma Elish covers the sweep of history from the creation of the world—coming into existence as a result of battle between two gods, Marduk and Tiamat—to the construction of the temple of Marduk. Bill Arnold notes, “Both the Enuma Elish and the Ugaritic Baal Cycle close their creation accounts in cultic dramas, in the building of great temples, and in the case of Enuma Elish, specifically as a place of ‘rest.’ Likewise, in the Memphite theology of ancient Egypt, the god Ptah rested after creating everything.” In Enuma Elish, humankind was created to do the work the gods did not want to do themselves. Under King Hammurabi (1792–1750 BC), known for his famous law code, one of the earliest in all of history, Babylon had become the most powerful city in Mesopotamia—with Marduk being promoted to king of the gods. And so God guides them through the desert leading them through the desert as a pillar of clouds during the day and a pillar of fire at night rewiring that worldview and correcting it so that they could see clearly Elohim the real God the one true God who was not like the gods they had learn of in slavery but was THE GOD who desired a relationship with his creation and mostly HIS Image bearers. Just like them when we become Christians our worldview needs to be reshaped thats why that scripture that was God breathed help form them to be HIS people continue to also form us also. Let us be thankful for the Father who saw the need to give us the bible to strengthen HIS family then, now and forever.